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Questo articolo è stato tradotto, clicca QUI per la versione italiana. Philippe Grandrieux’s Unrest forms the third part of a de facto triptych of films with White Epilepsy (2012) and Meurtrière (2015), occasionally called the ‘anxiety’ trio. While the film is part of a sequence, it is not by necessity a ‘conclusion,’ since to view the triptych chronologically as […]
Questo articolo è stato tradotto, clicca QUI per la versione italiana. A shot from the opening of Claire Denis’ High Life, showing a half dozen bodies floating in space, in its way provides a thesis for the entire film: the image is, perhaps, allegorical for what the films sees as a hopeless conflict between dwindling […]
Questo articolo è stato tradotto, clicca QUI per la versione italiana. Wavelengths Features: A Liminal Space. Andrea Bussmann’s Fausto is a film furnace, set in and around an isolated beach on the Oaxaca coast of Mexico, and described by the director as a “liminal space between good and evil,” with rocks that heal at one end and […]
Questo articolo è stato tradotto in italiano. Clicca QUI per la versione tradotta. Peter Strickland’s In Fabric views commercial consumption as a nexus point for the natural and supernatural, distilling horror and satire out of the desire for beauty, status, and happiness through material means. Taking a department store and a bank as its backdrop, […]
Altiplano by Malena Szlam – world premiere The Glass Note by Mary Helena Clark – North American premiere Slip by Celia Perrin Sidarous Hoarders Without Boarders by Jodie Mack – world premiere L.COHEN by James Benning Imagine a Japanese-style garden, were a viewer can only ever see a particular portion of the garden depending on […]