Gabino Rodríguez

Questo saggio è stato tradotto: clicca QUI per la versione in ITALIANO.   Emiliano Rocha Minter’s We Are the Flesh [Tenemos la carne, 2016] collapses narrative genre cinema and filmed performance, beginning as the former and ending as the latter. The film’s title in this sense could be taken as a call to action for the […]